The exhibition is composed of works that depict a process of inquiry and insistence on the use of images, technology, and materialities, not only as tools of production but as an uninterrupted dialogue with the present. The artworks make visible certain material, technological, and symbolic traces, acting as a cartography of the paths of the various translations that each artist underwent in their process, creating potential access points to the affective, rational, and sensory dimensions of each piece. Each work serves as a portal to individual imaginaries and techniques, simultaneously functioning as an interweaving of shared questions, where what appears broken and hidden seeks to be repaired and re-signified. Taisiia Cherkasova's work operates as a palimpsest of images and memories, combining fragments of materialities to create a piece that surpasses both painting and sculpture. The artist proposes an object that escapes the everyday while feeling familiar, wrapping present stories and traces of the past. Irving Ramó's painting suggests an encounter with images that seem to be recreating and fading away, a combination of dreamlike and apocalyptic vision that portrays a present torn asunder. In his work, there is a critical representation of power, where the human becomes more visceral and simultaneously vulnerable. These three works by Victoria Pidust are positioned in space as a vertical triptych, an overlap of images and meanings that evoke the everyday landscapes of a society navigating between the overproduction of images and the aestheticization of consumption. It is a synthetic x-ray of the elements that capture our gaze. Roberto Rivadeneira creates two pieces that condense symbolic elements of public space, such as security fences and cables circulating in Latin American cities, into mirrors/screens/impressions/paintings that return to us a distorted image between the real and the artificial, in a harmonious way of imposing order on chaos. The installation by Abie Franklin is the latest addition to the Frontiers series, exploring the theme of borders. Each installment of the series centers around an ecological archetype, with this particular one focusing on deserts and salt flats. It raises the question of how an environment that is inherently inhospitable to humans can function as a buffer, reducing the risk of conflict between them. As Ventana Project, we are excited to close the year with our first group exhibition. In a world where dismantling and the absence of dialogue are increasingly prevalent, we believe in the significance of spaces for encounter and exchange among individuals with different perspectives and backgrounds. We advocate for the idea that the world is a place meant for sharing